← Haig Papazian — Spatial Archive
2015 · space, image, text
When direct access to a place is impossible, degraded images and partial testimony become architectural evidence rather than mere substitutes.
The work examines how distance, political instability, destruction, and mediation alter what can be known about a site. Instead of treating low-resolution material as deficient documentation, it reads pixels, gaps, reconstructions, and conflicting accounts as evidence of those conditions. The thesis established a visual and ethical foundation for later projects concerned with damaged archives, spatial memory, and the limits of polished representation.
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